Keith Hamel's Csound Course

Index

• Week 2
  • Introduction to Csound
  • Programs used in creating music with Csound
  • Using Csound
• Week 3
  • Arithmetic Operators
  • GEN routines
  • line, linseg, expon, expseg
  • oscil
  • Formating and Documenting Your Code
• Week 4
  • Pitch Conversion Routines
  • Creating composite envelopes with linseg and expseg
  • Additive Synthesis
  • Using oscil as a control to produce vibrato and tremolo
  Week 5
  • Program Control Statements
  • Table
  • GEN 2
  • Phasor
  • Oscil1
  Week 6
  • Review of Frequency Modulation
  • Foscil - F.M. Oscilator
  • Applying controls to foscil
  • Reverberation
  • Creating a Global Reverb Instrument
  Week 7
  • CSound random generators - rand, randh and randi
  • Using rand to Produce White Noise
  • Using randh and randi to Produce Bands of Noise
  • Some Uses of Noise
  • Other Uses of Random Generators
  • Soundin
  Week 8
  • Using Pluck to Simulate Plucked Strings or Drums
  • Alternate Envelope Generators - Linen and Envlpx
  Week 9
  • Low Pass and High Pass Filters: tone and atone
  • Band-Pass and Band-Reject (Notch) Filters: reson and areson
  • Vocal Synthesis Using Subtractive Synthesis
  • Creating Vocal Sounds Using FOF Synthesis
  Week 10
  • GEN-01
  • Creating a GEN-01 function table
  • Designing an Instrument to Read Gen-01
  • Delay
  • upsamp. downsamp and interp
  Week 11
  • Instrument Design in CSound
  • Steps in Designing a CSound Instrument
  • Associating parameters to the pitch
  • Reasigning p3
  • Designing an instrument step-by-step
  Week 12
  • Granular Synthesis
  • Creating grains with sampled sounds
  Week 13
  • Other Uses of Global Variables
  • Increasing the Fidelity of your Sound Files
  • Score Sections
  • Advance statements

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